Director: Paul McGuigan (2015)
There’s magnetism a foot as the electric talent of James McAvoy and Daniel Radcliffe jolt Mary Shelley‘s gothic horror back into life.
This romping reinvention relocates the story to London and is told in flashback by Radcliffe’s hunchback Igor.
Lurching from action set piece to another, it has someone’s tongue stitched firmly in it’s cheek.
McAvoy gives a gleefully twitching turn as the mad scientist who wants to prove death is temporary by recycling dead bodies and applying shock treatment.
Recreated as a Victorian gentleman adventurer, he’s a monster mash-up of Robert Downey Jnr’s Sherlock Holmes (2009) and Hugh Jackman’s Van Helsing (2004).
Recognised as talented pair of hands, Igor is rescued from life as a brutalised circus clown by McAvoy’s mad medical student Frankenstein.
He’s the brains of the partnership with the choice cuts of dialogue, while Igor is the heart, feeding off the rump scraps of the script.
Soon the pair are in the laboratory and up to the elbows in blood and gore.
While Victor is working the graveyard shift cutting up cadavers to complete a creature, Igor and a trapeze artist called Lorelei practise making life the old fashioned way.
Better known as Lady Sybil from TV’s Downton Abbey, Jessica Brown Findlay role is only really required to add a pretty face to the bones of the action.
Unsurprisingly the finale involves a castle, a reconstructed cadaver and a lightning storm.
If it’s not quite the exquisite show of depraved lunacy a bystander claims he hopes to see, Victor Frankenstein does manage to be energetic and knowingly silly.