OVER THE MOON

Cert U Stars 4

Science travels hand in hand with spirituality in this inventive musical animation based on a Chinese myth which shines bright with charm and fun for the whole family.

Fei Fei is a romantic-minded early teen who believes in true love and is threatened by the prospect of a new step-mother, so so along with fluffy sidekick rabbit provides comedy and cute companionship Fei Fei builds a space rocket and blasts off to the find the fabled moon goddess.

Along the way thescript draws on familiar works such as Alice In Wonderland, Wallace And Gromit, and the 1902 silent classic movie, A Trip to the Moon.

A delightful, silly colourful and exciting adventure full of space dogs, luminous lions, giant floating frogs and ping pong games in zero gravity, all of which are used to gently smuggle in a message of compassion to help young kids understand and cope with feelings of grief and loss.

An in its best moments the story muscles in on Pixar territory as a vehicle for tender heartbreak, goofy laughs and eye-popping visuals, and it left me, well, over the moon.

THE SNOW QUEEN: MIRRORLANDS

Cert U Stars 3

Magic, mechanical mayhem, warring kingdoms and a battle between wizardry and science all feature in this upbeat and swashbuckling animated fairytale, an exciting and fun fable based on traditional European fairy tales and updated with the gloss of steampunk design and some superhero-style fisticuffs.

Gerda is the kind hearted, impetuous and brave young daughter of wizards who lives in a warm and sunny medieval kingdom, but she’s frustrated by a lack of power of her own.

Her land is ruled by a cruel king who favours science over magic and by exploiting their greed and gullibility of his subjects, begins to banish all magicians – including Gerda’s parents – to the Mirrorlands, the dreaded realm of the feared Snow Queen.

And so Gerda with her brother Kay, and friend Alfida, Gerda goes in pursuit of a magic key to free her loved ones and along the way discovers her own hidden powers.

The Snow Queen herself is a nicely acerbic monarch who although limited by a magic spell to her icy realm, is able to appear to Gerda as a ghostly spirit.

Yes it all feels a lot like a riff on Disney’s Frozen but on a creative level more akin to the animated capers of The Nut Job, or Tad The Explorer films.

There’s some jarringly out of place references to Alcatraz and suchlike and occasional use of modern slang but your little kids won’t care, they’ll be carried along by the epic sweep of the adventure on a journey of honey hued vistas. featuring lava lakes, giant rock monsters, and sky pirates.

However there’s a surprisingly intricate styling to the charming cityscapes, which feature robot-like street sweepers and trolley trams, and it’s full of slapstick silliness with mischievous and cute critters.

So it will entertain its target audience of your little ones, and without any songs to pad out the running time, it makes it’s a brisk enjoyable affair for the grown-ups.

THE FAIRY PRINCESS AND THE UNICORN

Cert U Stars 2

Magic and music take flight in this fantasy animated adventure based on the Bayala kids toy range and offers gentle entertainment aimed squarely at your little ones.

In a world divided into tribes of sun elves and shadow elves, the brave Princess Surah is a product of both regimes and must learn to control her growing magic powers while on a quest to recover a stolen dragon egg and prevent war.

Various story elements are reminiscent of fairy tales such as Sleeping Beauty, but with all the darkness stripped out and replaced with pretty rainbow coloured design. Even the peril comes wrapped in giant swirls of purple neon ribbons.

An environmentally friendly message of kindness, co-operation, tolerance and acceptance can’t be sniffed at, there are fun comic sidekicks in the shape of pet wolves and parrots and skunks, all the principal characters are female, most of the men are foolish and the young girls are the heroes.

It’s not up to Disney’s standard, but if your kids are familiar with the characters they’ll probably enjoy it more than I did.

DREAMBUILDERS

Cert U Stars 3

Dreams come to life in this enjoyable and imaginative animated fable and it spells trouble for a pair of squabbling siblings who must learn to understand each other and work together to escape a land of nightmares.

When the studious Minna accidentally discovers the world of our dreams are constructed like a movie set, full of blue-skinned humanoid actors and friendly robot stagehands, she can’t resist the chance to teach her spoilt, vain, rude social media-obsessed step-sister Jenny a lesson in manners.

Despite being warned disturbing other people’s dreams can have catastrophic consequences, Minna tries to manipulate Jenny’s dreams which sends them on a zippy and fun adventure of self-discovery.

With an emphasis on kindness being more important than appearances or popularity the script slips in messages about engaging with the real world and warnings about online cruelty.

Aimed at your little ones it’s reminiscent of classics Monsters Inc. and Inside Out, and delivers a surprising amount of emotional weight with colourful charm and a style of its own. Giant disco dancing hamsters mix with menacing spiders but there’s nothing here to give your kids nightmares.

VALHALLA: LEGEND OF THOR

Cert 12 Stars 3

Knee deep in folklore and medieval mud, this dark fantasy adventure from Denmark puts meat and blood on the bones of Scandinavian myths and is a coming-of-age tale of a young girl caught up in the.

Cecilia Loffredo and Saxo Molthke-Leth play the are brave yet endearingly flawed medieval mortal children Roskva and Tjalfe, who as punishment for a misdeed are required to serve as slaves to Thor, god of thunder, and accompany him on his quest to capture the dreaded giant wolf Fenrir.

This Thor is far removed from Marvel’s hugely popular superhero version, with Roland Moller being a proud, lusty and quarrelsome presence, while Dulfi Al-Jabouri is wryly enigmatic as his vain half-brother god of mischief, Loki.

An animated introduction sketches out the key mythology and warns of impending Ragnarok, the destruction of the world, while the
steady pace is augmented by a storming soundtrack.

Valhalla is based on a comic book and the focus on characters, plotting and power games feels a bit like watching Game of Thrones for kids.

ARTEMIS FOWL

Cert 12 Stars 3

Disney’s latest big budget sci-fi fantasy adventure is a glossy yet muddled adaptation of Eoin Colfer’s 2001 novel, which makes up with some fun action, great design and impressive special effects what it lacks in strong characters or interesting narrative.

Emerald-clad elves and leprechauns add an Irish flavour to this hodgepodge of Harry Potter and junior James Bond, with most of the action taking place in or around a stunning Irish clifftop residence, and the plot concerns the possession of a magic weapon of mass destruction, attempted genocide and missing fathers.

Kenneth Branagh is no slouch to this sort of romp, having previously directed Disney’s live action Cinderella and Marvel’s first Thor movie, and due to the huge amount of voice-over telling us information the brisk running hasn’t time to show us, I suspect Branagh shot a richer, longer and more coherent version than the one we’re presented with.

With eight books in the series this was clearly intended as a franchise starter, but I doubt we’ll see a sequel.

THE WISHMAS TREE

Cert U Stars 3

In a fun departure for Geordie stand up-comic Ross Noble, he lends his voice to this cute and amusing Australian animated eco-friendly adventure based on the children’s book series ‘Tales from Sanctuary City’.

He adopts an avuncular and eccentric persona as Yarra, the keeper of the Wishmas Tree, guardian of the true spirit of Wishmas, and manager of the annual tradition of wish making.

Aussie actress Miranda Tapsell voices the possum Kerry, whose impetuous behaviour sees their secluded paradise homeland threatened by snow, ice and the evil forces of extinction, and so forcing herself and Yarra on a perilous quest to save their land.

The animation is more solid than spectacular but they’ve gone bananas on the cheerful colour palette and the story skips along in a well meaning manner and it should keep your little kids entertained.

Though it feels a little weird watching a festive themed film in June, it’s probably a sign we can expect Christmas decorations in the shops any second now.

THE MAN WHO KILLED DON QUIXOTE

Cert 15 Stars 3

Former Monty Python animator turned Hollywood director Terry Gilliam has realised his longstanding dream of adapting the four hundred year old novel Don Quixote, and though always watchable this fantasy comic adventure feels more a gentle valedictory lap over familiar turf than something necessary or groundbreaking.

It’s a loose modern day take on the famous story of an aged and deluded medieval knight who goes on a quest to re-establish chivalry in the world and ends up jousting at windmills thinking them to be giants.

Jonathan Pryce stars as a deranged Spanish shoemaker who’s convinced he’s the real Quixote, and drags Adam Driver’s obnoxious advertising executive on a quest, as ‘Quixote’ mistakenly believes he’s his trusted squire. Sancho Panza.

Veteran Pryce worked with Gilliam in the director’s finest film, Brazil, way back in 1985, and Driver is best known as the villainous Kylo Ren in the recent Star Wars films. Both actors were nominated for the best actor Oscar this year, though understandably not for this.

Nevertheless they’re an entertaining bickering pair and the wonderful costumes, Iberian landscapes, and terrific interiors such as an UNESCO World Heritage Site, make for a handsome film.

But the relatively minor budget exacerbates a surprising lack of the inventive visual flourish which marks Gilliam’s best work.

Dogged by repeated failure to secure funding and then a court case, this film has been 25 years in the making, and you’d imagine after all this time co-writer Gilliam would have a more polished script.

Instead we have a familiar collision of glorious fantasy and ugly reality, with added asides on old age, the need for romanticism and a throwaway rant against political correctness.

2002’s documentary Lost in La Mancha captured Gilliam’s previous disastrous attempt at adapting this material, and sadly that film is more fun and affecting. Meanwhile Gilliam, much like his hero Quixote, now feels a man out of time.

FOUR KIDS AND IT

Cert PG Stars 4

Sadly denied cinema distribution by the lockdown, Jacqueline Wilson’s 2012 novel is brought entertainingly to life in this handsome, fresh family fantasy about a group of holidaying kids facing the perils of being granted wishes by a magical creature, voiced by Michael Caine.

Wilson based her book on E. Nesbit’s 1902 classic, Five Children and It, and updated it with a modern setting and contemporary concerns.

Ireland’s gorgeous countryside and beaches stand in for Cornwall and a lively young cast are supported by Russell Brand as a local eccentric and singer Cheryl Tweedy as a pop impresario.

 

ONWARD

Cert U Stars 4

Go on a magical quest with this bright, colourful and big-hearted family fairytale which mixes high school hi-jinks and Indian Jones-style escapades in a world populated by mythical creatures such as elves and pixies instead of humans.

Two teenage elven brothers live in the equivalent of a modern US town full of electricity, cars and smart-phones, which have long supplanted the magic of wizards.

And they set forth in a battered old camper van to find a magic jewel to cast a spell to bring their dearly departed father back to life for one day.

Best known for playing Spider-Man and Star-Lord and re-teaming for first time since Marvel’s Avengers: Endgame, Tom Holland and Chris Pratt bring an easy rapport as Ian and Barley.

Their engaging comic chemistry elevate the action as the popular actors play to type with Ian all shy and insecure, and Barley, a bullish know-it-all idiot.

Julia Louis-Dreyfus brings warmth and determination as their widowed mother, Mel Rodriguez is her likeable centaur boyfriend, and Octavia Spencer puts the roar into a fearsome non-flying manticore.

There’s no shortage of invention on show in the fabulously designed world, which teeters on the macabre as our heroes are drag along the reanimated legs and lower torso of their dad.

What sounds horribly disturbing is however a skilful, delightful, and very funny pantomime, and ties in the scripts ideas of parents being all shapes and sizes.

With the boys’ trip becoming a search for identity and role models, it’s also an opportunity for them to learn to focus, to trust oneself, and to always speak from the heart.

Dan Scanlon previously directed Pixar’s not dis-similar Monsters University, and this is an improvement on his 2013 hit.

And though Onward is not as good as the Toy Story films, it does have typically strong production values, a strongly comic and touching script, and an insanely audience friendly voice cast, making for a surprisingly emotional crowd-pleaser which is never too scary for the little ones.

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