THE EXORCISM OF KAREN WALKER

Cert 15 Stars 1

Family secrets are brought into focus in this lumbering and laboured British supernatural horror which takes his inspiration from the Soviet inventor, Semyon Kirlian, who claimed to be able to photograph a person’s ‘aura’.

Written and directed by Steve Lawson, it sees expecting couple Diane and Mitch Walker move into his late uncle’s spooky country house, where they unwittingly release an ancient evil.

Released as ‘Aura’ in the US where this is unconvincingly set, Spanish actress Denise Moreno plays Karen, and Rula Lenska enjoys herself as a local psychic far more than I did watching this.

HALLOWEEN (2018)

Cert 18 Stars 3

Scream queen Jamie Lee Curtis returns as Laurie Strode to the horror slasher franchise which kick-started her career, as forty years after she survived the killing spree of masked knife-wielding psychopath, Michael Myers, he returns once more to torment her.

And her star presence helped to scare up nearly £200m world wide on a terrifyingly tiny £8m budget, making this the biggest grossing episode of the eleven strong series.

It’s success was also helped by being a direct sequel to the 1978 original, and by basically pretending all the other films don’t exist, it’s easy to catch up.

DEAD NIGHT

Cert 18 Stars 3

No good deed goes unpunished in this brisk and blood-soaked supernatural slasher horror which sees a family on a trip to remote cabin, ironically for the good of their health.

En route they offer shelter to a woman they find passed out in the snow,  but their act of is one they come to regret.

It’s reasonably stylish with more some decent atmosphere and fulfils its modest ambition of offering some unfussy old school chills. Plus it’s always great to see veteran screamstress, Barbara Crampton, of 1980’s horror flicks such as Re-Animator, back on the screen.

 

A QUIET PLACE

Cert 15 Stars 5

Writer and director John Krasinski co-stars alongside real-life wife, Emily Blunt, in this magnificently terrifying apocalyptic horror.

They play a married couple whose family are struggling to survive in a near future world where civilisation has been destroyed and humans are preyed on by creatures who hunt by sound.

Produced by Transformers supremo, Michael Bay, it scared up a thunderous £250m at the global box office on a tiny £13m budget. Smart, sharp and shocking, it’s a stunning example of how to use the simplest techniques to create nerve-snapping tension and will leave you silent with fear.

HEREDITARY

Cert 15 127mins Stars 4

There’s a demonic creepiness to this slow burning supernatural horror which doubles as a tormented exploration of a very dysfunctional family.

Aussie actress Toni Collette gives an Oscar-worthy performance as a woman being torn apart by fear, grief and the pressures of parenting.

Her daughter has some very disturbing habits, her son has some serious issues and her mother is recently deceased but remains a malign influence. 

With echoes of 1968 classic, Rosemary’s Baby, this is an extraordinarily stylish and self-assured debut by director, Ari Aster, who seems to want to punish more than entertain us.

Intense, anxious, bleak and deeply unsettling rather than scary, Aster deliberately avoids the crowd pleasing thrills of the recent and more easily enjoyable horror, A Quiet Place, and he seems intent on shocking us into submission.

Hereditary has proved hugely divisive in the US, due in part to its controversial ending, but you’d best see it to make up your own mind. If you dare.

 

 

MOM AND DAD

Cert 15 Stars 4

Nicolas Cage unleashes his inner maniac to demented effect in this outrageous and funny satirical comedy horror.

Often uncomfortable to watch and daring to voice unspeakable truths about parenting, he and Selma Blair play a very ordinary middled-aged suburban couple with two kids.

One day a mass psychosis grips their town, and parents start murdering children, but only their own.

We’re shown parenting is not all love and kisses, but jealousy, resentment and a form of madness. And as a parent I’m not sure it’s healthy to laugh as much as I did.

THE STRANGERS: PREY AT NIGHT

Cert 18 85mins Stars 1

This deathly dull and derivative slasher bravely ignores the tremendous creative resurgence horror films are enjoying.

Movies such as the Oscar nominated Get Out, and apocalypse creature feature, A Quiet Place, have generated big bucks from big thrills.

Instead this is relentlessly unimaginative,mindlessly mirthless and defiantly non-scary.

Plus it’s a great example of the cinematic rule of thumb, which advises avoiding films which are less than 90 minutes, as apart from early Disney cartoons, they’re rubbish.

This belated sequel to the barely remembered 2008 original, laughably claims to be based on true events. It sees an unsympathetic family terrorised by mask-wearing psychopaths in an out-of-season trailer park resort.

Christina Hendricks of TV’s Madmen fame, has had far better luck in tiny arthouse films than in mainstream movies. Her presence is wasted as the mother of two high school kids who I was happy to see tormented.

I’ll pray tonight and ask forgiveness for wasting my time watching this.

 

JIGSAW

Cert 18 Stars 3

It’s been 14 years since the first Saw horror film first hacked its brutal way into popular culture.

Scoring for nearly billion dollars at the box office for a fraction of the cost, the torture porn franchise has been a huge success and returned with this eight instalment.

Proving there’s no stopping a psychopathic killer, and despite Jigsaw dying in the previous film, he’s back to punish a group of strangers who wake up chained in a steel shed.

This is a typically nasty and violent, and longtime fans will lap up its bloody inventiveness.

THELMA

Cert 15 116mins Stars 2

Lesbian lust and psychic power are unable to this save this Norwegian horror thriller from it’s self induced torpidity.

Eili Harboe offers a sympathetic fragility as Thelma, a socially anxious first year university student.

She becomes obsessed with the beautiful and popular Anja with whom she begins a tender relationship.

Thelma’s heightened emotional state manifests itself as a supernatural force. This results in her suffering seizures, minor electrical shortages, and the occasional crow colliding with a window.

Snakes make a penetrating appearance in Thelma’s dreams but possess insufficient poison or bite. Weighed down by sincerity and self importance, there’s an absence of camp energy which would make this nonsense fun to swallow.

The virtues of ungodly metropolitan lifestyles are expressed in opposition those of Christian small towns, and pharmaceutical medicine presented as a barrier to female emancipation.

Witchcraft challenges science as reality, flashbacks and fantasy mesh, and as it becomes hard to distinguish one from another, any potential magic is lost.

 

THE RITUAL

Cert 15 94mins Stars 3

Get back to nature and discover your inner pagan with this British supernatural horror.

Four middle aged mostly middle class friends go on a hiking holiday to northern Sweden, they’re on a guilt trip to honour a recently deceased friend.

It’s a majestically clean and beautiful landscape, chosen presumably because its remoteness denies the walkers access to the internet. When they’re forced off route it becomes a terrifying journey of self discovery.

Equipped with a low budget and lacking star power, they are possessed by a director intent on maximising his resources.

Spooky thrills are summoned by some cracking creature design, tremendous sound mixing and an interestingly prickly performance by Rafe Spall in the lead role. 

The script sticks to the  familiar path and sightseeing features a cabin in the woods, strange symbols carved on trees and grisly blood offerings. However by utilising local folklore we’re led to a satisfyingly dark psychological destination.