TMNT2: Out Of The Shadows

Director: Dave Green (2016)

Get your nunchuks at the ready as the four pizza loving and crime fighting turtles leap into the limelight with a surprisingly improved sequel to 2014’s rubbish reboot.

It’s a violent comic book adventure full of knowingly stupid fun, manic energy and big budget special effects spectacle.

Arch-enemy master criminal Shredder escapes prison and plans to rule the world by building an inter dimensional teleportation device and importing a giant, flying, self assembling mega weapon.

It’s up to the turtles to stop the invasion, embrace their true selves and win public acceptance. Awww.

There’s explosions, car crashes, martial arts moves, a punk haired rhino henchman and the best squid-brained robotic super villain ever seen in the cinema.

The abs, thighs, boobs and immobile forehead of Megan Fox returns as human sidekick April O’Neil, who only remembers she’s a news reporter at the end of the film.



Teenage Mutant Ninja Turtles

Director:  Jonathan Liebesman (2014)

Crawling out of New York sewers after a seven year hibernation these turtles really stink.

This is a damnably dull and witless reboot of a dormant franchise cobbled together with the least possible inspiration.

The plot, for what it’s worth, follows ambitious TV reporter April O’Neil (Megan Fox) as she teams up with the four mutant turtles to thwart criminal samurai Shredder and his Foot Clan gang’s plan to rule New York.

O’Neil is unwittingly used as bait by the clan to catch a vigilante who foils a dockside heist. The vigilante turns out to the four computer animated kickass turtles – Leonardo, Michelangelo, Donatello and Raphael, voiced by Johnny Knoxville, Noel Fisher, Jeremy Howard and Alan Ritchson.

The quartet were raised in the sewers by the giant mutated rat and sensei master Splinter (Tony Shalhoub). They squabble, eat pizza, say ‘Cowabunga!’ and wear colour coded masks. Michelangelo is the most easily identifiable because he’s the most annoying.

April recognises them as the turtles she kept in her dad’s lab before he died in a mysterious fire. He was developing a mutagen that would eradicate disease. Luckily she kept all his scientific notes.

She tells her dad’s ex-partner turned industrialist Eric Sacks (William Fichtner) but he’s now in cahoots with Shredder and planning to use the turtles’ mutated blood to blackmail the city.

There are fights, chases, rocket launchers, exploding cars and remote controlled flying daggers. The film is sufficiently self-aware to be happy in pointing out how ridiculous it all is – but it’s the sloppy execution not the premise that’s the problem.

In another film Fox’s expressionless face and lack of dramatic range would be a severe hindrance – but here they’re just part of the overall ooze of ineptitude.

Mutants, ninjas and turtles all deserve better than this – probably teenagers as well.