Director: Alex Proyas (2016)
With a budget of $140M this is possibly the most dull and cheap looking special effects spectacular you’ll be unfortunate to suffer.
Mortals and gods battling to save ancient Egypt in a camp and glossy action adventure romp should be huge amounts of fun.
10 feet tall gods bleed liquid gold and ride chariots pulled by giant beetles. Plus there are enormous fire breathing snakes and ox headed warriors.
But due to a terrible script, laboured jokes and painful dialogue it’s sadly far less entertaining than the sum of its ridiculous parts.
Also it’s terribly edited and badly dubbed with a voice over dropped in to fill – or possibly distract from – the gaps in the inconsistent story.
Humans are referred to as mortals even though gods are regularly killed or threatened with death.
The heroes are dull, women are inconsequential plot devices, no one knows who the main character is and it’s left to the bad guys to provide what fun there is.
The gorgeous set and costume design is wasted by appalling shoddy CGI, terrible storytelling and some awful acting.
Gerard Butler’s reputation survives because the Scots actor embraces the nonsense, strutting manfully as Set, god of the desert and war. He brings the noise and the muscle and when he and the excellent Elodie Yung are off screen everything flags, in the manner of the inflatable pyramid in Despicable Me 2 (2013).
It’s a shame the majority of the cast don’t follow his cue, offering light weight performances which are dwarfed by the sets and lost in the gravity free CGI.
Butler goes full Sparta, reprising the roaring camp egotism of his skirt and sandalled fighting king Leonidas, from Zack Snyder’s 300 (2006).
Bored after a thousand years of peace, he stages a violent coup over his nephew. Danish Nikolaj Coster-Waldau is astonishingly dull as the rightful king Horus left blind and in exile.
Equalling him for a lack of charisma are Brenton Thwaites and Courtney Eaton. As Bek and Zaya they are the happiest, healthiest and most handsomest slaves in Hollywood.
When Zaya dies Bek strikes a deal with Horus. In return for helping Horus reclaiming his eyes and his throne, Horus will use his power to return Zaya to the land of the living.
They trek about the desert, raiding tombs, visiting gods and fighting monsters. Joining them from Netflix’s Daredevil is the under used Yung.
Despite Hathor being the only female character on show with anything approaching complexity, she’s eventually sidelined and suffers the usual fate of strong headed women in movies. Being punished for her promiscuity would be wrong even if Hathor wasn’t the goddess of love.
Hathor’s absence from the rooftop finale leaves us with musclebound mahogany mugs battering each other as a giant space worm attempts to eat Egypt. Well, there’s something you don’t see every day.
Fresh from Captain America: Civil War (2016) Chadwick Boseman out camps out as Thoth the god of knowledge. In an ’80s romcom he’d be classed as the gay black best friend.
A strongly Australian supporting cast sees Bryan Brown, Bruce Spence and Geoffrey Rush failing to be embarrassed as various gods. Abbey Lee was last seen in Mad Max: Fury Road (2015) alongside Courtney Eaton as wives of Immortan Joe.
The growling muffle of Kenneth Ransom’s voice of the Sphinx leaves his riddle indecipherable, never mind unsolvable.
With ancient gods reimagined as superheroes, for much of the running time this feels more like a retread of the recent X-Men: Apocalypse (2016) than anything Ray Harryhausen may have conjured up. And about as much fun.
It’s a long fall from grace for Alex Proyas whose directorial debut was the intelligently composed sci fi thriller Dark City (1998).
Gods Of Egypt has been criticised for a lack of Egyptian actors. Maybe they realised how bad it was going to be and decided against it.