Director: Tom Hooper (2016)
Oscar winner Eddie Redmayne aims for more Academy gold as a transgender artist in this period drama.
As in The Theory Of Everything (2015) where he played scientist Stephen Hawking, the British actor gives a committed performance as Einar Wegener.
However he is outshone by Swedish co-star Alicia Vikander as his on-screen wife Gerda who offers strong marital support.
She acts with her eyes and he with his mouth. Some of his alarming lip quivering reminds us of his space camp turn in the terrible Jupiter Ascending (2015).
Gorgeous costumes, polished interiors and fresh exterior locations give Copenhagen of 1926 a living, picturesque appeal.
But it’s suffocatingly sincere and suffers from banal dialogue and a lack of conflict.
Plus director Tom Hooper inflicts on us the same close ups and curious framing which marred his films The King’s Speech (2011) and Les Miserable (2013).
Gerda producers portraits and wears the trousers while Einar paints landscapes and discovers he enjoys wearing frocks.
As he discovers himself more comfortable in women’s clothes than men’s, Einar adopts the alter ego of ‘Lili’.
Gradually she becomes his dominant personality and seeks to make a permanent transformation to womanhood.
Redmayne is a pretty boy in real life but no great beauty as a woman, especially when stood between to his gorgeous on-screen wife and her ballerina best mate Oola, played by Amber Heard.
Lili’s selfish behaviour fails to garner much sympathy and nor does she meet much resistant to her life choices. Society is indifferent to Lili’s plight. So was I.