While care has been taken to not give away major plot points, if you desire an untainted viewing experience you may wish not to read this until after you have seen the film.
Director: JJ Abrams (2015)
Strap yourself in for a light speed blast of fun in this epic seventh episode in the long running sci-fi saga.
Visually spectacular, fast, funny and very, very familiar, it’s a huge relief this is a vast improvement on the last three thunderingly dull films.
Director Abrams is such a super Star Wars (1977) fan and loves the original film so much he’s gathered all his favourite bits together.
Then he’s mixed them about, souped them up and sent them roaring back into the cinema.
There’s lightsabers, lasers, robots, aliens, stormtroopers and a bigger, badder Death Star called the Star Killer.
It’s the original surname given to hero Luke Skywalker in the early drafts of the first film, another of the geek orientated references littering the galaxy far far away.
Yes it’s the series’ third space travelling super weapon which contains enough fire power to destroy whole planets.
This one is controlled by the First Order, the new identity of the old evil Empire whose resurgence is threatening to destroy the peaceful New Republic.
Harrison Ford makes an emotional return as the swashbuckling space pilot Han Solo. Alongside Peter Mayhew as hairy first mate Chewbacca, he is once more in debt and on the run.
The first appearance of his battered spaceship the Millennium Falcon is brilliantly handled but as with many jokes in the film, it’s a moment which mainly plays to the fans.
Another persistent problem is using the film’s ferociously paced planet hopping to glide over the minor plot holes scattered about the universe.
As anyone who’s seen Star Trek Into Darkness (2013) will be aware, Abrams has never been particularly punctilious about plotting and simply uses his ample momentum to rocket across them.
Solo falls in with a scavenger, a renegade stormtrooper and a small orange beach ball style of a robot called BB8.
They’re trying to return the droid to it’s master as it contains information vital to the future of the galaxy.
Brit actors Daisy Ridley and John Boyega are brilliantly refreshing as Rey and Finn, bringing humour and energy to enthuse the old stagers.
2016 has been a great year for kick ass action heroines and in Rey it’s snuck another one in under the wire. She’s a physical, feisty and frequently surprised at her own abilities.
Stalwarts of the first trilogy Carrie Fisher, Mark Hamill and Anthony Daniels appear briefly as General Leia Organa, Luke Skywalker and C-3PO.
Cinematography Daniel Mindel is experienced with working on big budget CGI heavy sci-fi movies such as Abrams’ two Star Trek movies.
Though equally fabulous looking this is a less glossy, more dynamic affair. Following the Millennium Falcon in flight, his camera arcs, dips and spins in breathtaking manoeuvres.
Plus his camera is careful to capture the excellent production design by Rick Carter and Darren Gildford.
Their work gives the bashed, bruised and broken worlds the weight of history, anchoring the fantastical elements in their own mythology.
As the third best Star Wars film, the force is strong with this one.