Director: Ridley Scott (2014)
Striding into cinemas on a mission from God, Exodus is a handsome and monumental retelling of the Moses bible story.
Ridley Scott combines typically impressive design with spectacular action and even makes a couple of successful stabs at humour.
But he fails to broaden our understanding of events . Remaining true to the spirit of the story he fails to put an interesting spin on it. There is, of course, the parting of the Red Sea and the carving of the Ten Commandments.
Although Indira Varma as a High Priestess makes an impression, Sigourney Weaver appears briefly and to no great effect as as Ramses’ mother Tuya. Love interest Zipporah (Maria Valverde) is forgettable. Even Scott’s recent and deservedly maligned Prometheus gave us two entertaining female roles.
God appears to Moses in the controversial guise of a haughty and petulant youth – a confident and spine-tingling performance by Isaac Andrews.
He tells Moses to return to Egypt and free the chosen people but the prince-turned-prophet takes his time about it. So in the movie’s stand-out sequence, God lets loose a terrifying series of plagues including crocodiles, frogs, boils, flies and locusts.
All the children of Egypt are killed, including Ramses’ own son, and he orders the Hebrews to flee. But he chases them and they end up trapped between the sea and his bloodthirsty army.
Bale, with his usual intensity, successfully turns from sceptical young warrior to devout old leader – though his wildly changing circumstances barely phase him.
He’s not even surprised when he is unexpectedly introduced to his adult brother Aaron (Andrew Tarbet) for the first time.