Director: Chad Stahelski (2017) BBFC cert: 15
Keanu Reeves’ career blasts back into black as the sharp suited assassin in this blistering thriller sequel.
It’s a super stylish, extraordinarily violent action spectacular which offers non stop ferocious thrills.
With little fanfare the first film tore through cinema back in 2014, shooting up the box office charts and killing the competition.
It delivered a much needed hit for the ever popular star who was once again in great need of a boost. Reeves has been quite since then but there’s no ignoring him here.
We pick up where the first finished. Having avenged his pet dog and recovered his car from the Russian gangsters who stole it, the multilingual hitman, Wick, is once again looking forward to a peaceful retirement.
But Riccardo Scamarcio’s powerful Italian crime lord makes Wick and offer he can’t refuse. As the villainous, ambitious and smooth talking Santino D’Antonio, he needs his own sister assassinated and Wick owes him a blood debt.
However if Wick succeeds, it will allow D’Antonio to takeover not just Rome, but Wick’s hometown of New York.
The relentless barrage of action sequences combine the sleek sophistication of the James Bond series, the elegant sumptuous design of vampire flicks and the dynamic violence of Asian martial arts movies.
Enabling the short fused Wick to burn the candle at both ends is an armoury of guns, the most cool car, a wardrobe of gorgeous suits, and residence at a chain of high end hotels.
The inventive violence takes place on subways, in catacombs and at parties, ending with a showdown in Central Park.
British actors Ian McShane and Peter Serafinowicz add a touch of class. Reeves’ co-star from The Matrix movies, Laurence Fishburne brings the menace.
The Hollywood union of stuntmen has long agitated for an Oscar to be established to honour their work. If one were to be awarded, the stunt team here would be a shoo in for the thorough shoe-ing their members receive here.
For what they accomplish, I hope their danger money was on double time.