Director: Marjane Satrapi (2015)
It’s claws versus paws in this macabre black comedy as the eternal conflict between good and evil is fought between cat and dog.
But as well as committing the cardinal sin of not being funny, there are clunking changes of tone, weak direction and too many scenes lack energy.
All of which is a shame as there are two great actresses, a decent idea and a laudable attempt to bring something different to the cinematic marketplace.
Pizza-loving Jerry (Ryan Reynolds) lives quietly with Bosco and Mr. Whiskers, his pet dog and cat. He works in a toilet factory, is in therapy and taking medication.
Based in the town of Milton, he is obsessed with angels and devils and happily points out Lucifer was both.
At home the foul-mouthed Mr Whiskers urges him to be bad, Bosco tells him to be good. Reynolds provides the animal voices, including a poorly advised Scottish accent for Mr Whiskers.
Discussions with his pets as to whether Jerry is a good person occupy far too much screen-time and deliver no laughs.
Jerry hangs out with the girls from accounts. He has a crush on Fiona (Gemma Arterton) and ignores the attentions of the clearly interested Lisa (Anna Kendrick). On a night out he kills a co-worker which leads to a spree.
The always engaging Arterton and Kendrick give proceedings an undeserving vitality, bringing glamour, charm and fine singing voices.
But Reynolds is such an unprepossessing leading man he barely registers. He plays sweet when dry would have been more effective. Anything would have been more effective. Maybe Adam Sandler and Paul Rudd were too expensive. Or busy.
The script can’t decide whether Gerry’s bad, mad or a victim. It absolves him of guilt by showing us his traumatic childhood.
There’s some nice production design by Udo Kramer, but the director loses control of her camera and the imagery becomes repetitive. The charitably minded will assume the choreographer was aiming for comic effect.
The film isn’t sufficiently trippy to be interesting, nor is it clever, fast or sharp enough to be funny. It’s a sad day when a Chinese Elvis impersonator can’t make me smile – but he’s just another glaring example of how The Voices mistakes wacky for funny.
★☆☆☆☆